a speculative collection

Spaces untouched

The delicacy of many

Within sight of beautiful faces

Deep inside

They shine

Precise with time

Your ways will never go wrong

The plain ground you built will stand

Gorgeous people, I see

A strong hold

A battalion of great descendants

Amassed with strength

With pen or in soul

The ruin of sadness as they go

Letting love flow as they pace their struggle

Chinua Achebe: A Poet of Global Encounters

A rare peek into his later life..

Jesse Weaver Shipley's avatarAfrica is a Country (Old Site)


The first time I met Chinua Achebe I had just started teaching at Bard College, where I had been hired as Director of Africana Studies. I saw Chinua one evening at a campus event and nervously approached to introduce myself. I did not expect his humor or his humility. Instead of exchanging a quick word or two, he engaged me in a long conversation about the state of Africana studies and my research in Ghana. I tentatively began to seek out his company and realized that, while he was one of the most important living writers in the world, he was also lonely living in upstate New York. Over the next six years I spent as much time as I could at the house on the Bard campus where Chinua and his wife Christie lived. Sometimes I was invited but eventually I just started showing up; for food and conversation…

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Bright Anita

The carvings you bring finds my bonds of paper ever so well. Hence I shall stop my wrong ways to find my right ones with you. The silence we bring helps build the bridge between sweet and slow. So let’s roll into the carriage of pumpkins and silver wheels. Most people always find new ways to find our fault. The danger we show gets the race started;

Melodies of solace.

Crisp like rice

Reddened sauce

Peppered layers

Showered hinges

An uncollected perspective

A growing spirit

A generous smiling

Lasting after the embrace

Time to sweet drive

Long; till we see a glow

Classic Cocoa

Sundown writing

Burnt out living

Chimed up sayings

Polished crew

Eyes looped well

Packed up temptations

Lucky Lotto

Eleven goes the chapter

Sharing pennies

Stocking blue jams

Washing left overs

The circle of hustle

The gift of prayer

An end meets the ends of living

Early Morning 20

Slain pieces

Aspiring guns

Forgotten flights

Remembered shots

ejo, but can we stop the brutality

The holes in my cabinet do hurt

Blood on soil

Sahara sand

Heavenly dew

Rest; ever so light

dedicated to the 20 souls lost on 30/03/2013

Act II: Love Intro

Back to break

The lace of hatred

The spade of choice

Abundant for you

The festival is non-stop

Remember, you are alive to shout louder

Act I: Be

Chanced to be blessed

Blessed to be earthed

Easy to drink off the forgotten show

The state when the mind resides

Through breath comes conception

The side of the risen.

 

 

 

 

Read Act VII: Lots of Love

Also Act III: The Struggles of the Fallen

Act III: The struggles of the fallen

The days we have come to know

The ends we have come to meet

The anger we have grown to recollect

Hunger is real

A gift to use

“The pain is harsh,” said the sun

Sahara burns hot

But, the people keep on walking

Your time in the day

 

Act VII: Lots of Love

Giving dreams from the rainy season

The pinky feelings

Cards of roses

Shoes of Dorothy

Flying to switch the left-over

A new start

“To stay and remain,” I say.

“You break, you pay,” she whispered.

5 New Films to Watch, N°21

Top two : Creation in Exile, and King ME

Tom Devriendt's avatarAfrica is a Country (Old Site)


5 new documentaries this week. Crop: Talking About Images is a film directed by Marouan Omara and Johanna Domke. The film, quoting its website, “reflects upon the impact of images in the Egyptian Revolution and puts it in relation to the image politics of Egypt’s leaders. Instead of showing footage from the revolution, the film is shot entirely in the power domain of images — Egypt’s oldest and most influential state newspaper Al Ahram.” From the top-level executive office down to the smallest worker, the documentary follows a photo journalist who missed the revolution due to a hospital stay. Here’s an excerpt: 

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